Setouchi Triennale 2016 – tips on island hopping for art

After a stellar week admiring sakura and indulging in Hanami parties in Tokyo, I headed down south towards Takamatsu in the central Shikoku region of Japan, all ready to get started on one of my main assignments for – covering the Setouchi Triennale 2016!

Setouchi Triennale 2016 - Badges
My souvenirs from the festival: I bought a badge for every location / island that I visited, as well as the festival lanyard and map.

The Setouchi Triennale is an art festival that happens every 3 years, but what’s interesting about this particular one is that the artworks are spread out over several islands and locations in the Seto Inland Sea area. The works are mostly visual artworks, and what I like is that many of the artwork’s themes are tied closely to the island on which they are installed. Beyond works in galleries, there are also many large outdoor installations, and some have even become a permanent part of the island’s infrastructure!

The Setouchi Triennale 2016 runs for several weeks during 3 seasons:

  • Spring: 20 March – 17 April 2016
  • Summer: 18 July – 4 September 2016
  • Autumn: 8 Oct – 6 Nov 2016

I spent 6 days during the spring season in April 2016 covering as many works as i could – I ended up visiting over 80 artworks in total, though i wish i had time for more! You’ll see more in individual posts, but to give you an idea of my week:

  1. Fly to Takamatsu, Ferry to Ogijima & Megijima (overnight in Takamatsu)
  2. Ferry to Teshima (overnight in Takamatsu)
  3. Ferry to Shodoshima (overnight in Shodoshima)
  4. Shodoshima (overnight in Shodoshima)
  5. Ferry to Naoshima (overnight in Naoshima)
  6. Naoshima (overnight in Naoshima)
  7. Ferry to Uno

Here are some of the highlights:

Setouchi Triennale 2016 - Ogijima Memory Bottle Up
I kinda love how this shot turned out – the gallery sitter let me stick the Casio Exilim FR100 on the selfie stick underneath the suspended artwork, and the wide angle turned out quite beautiful! This is Memory Bottle by Mayumi Kuri on Ogijima – each bottle has an artifact that encapsulates a memory from an island resident


Ogijima is a lovely small island which is a little hilly but easy enough to explore on foot. I only had 2 hours there because I arrived in the afternoon and due to ferry timings, but I enjoyed walking around to see the various artworks here. Read my photo story on Ogijima’s artworks over at JapanTravel for some quick thoughts on what I saw.


Setouchi Triennale 2016 - Megijima Seagull Parking
You can’t miss these rows of seagulls when you first land in Megijima! Though Megijima is actually renowned for ogres instead… Seagull Parking by Takahito Kimura .

Megijima is a larger island on the same ferry route as Ogijima, so I tackled them in the same afternoon, but 2 hours was way too little time, especially because stuff closed at 430pm so I really only had something more than an hour… they time the closing to let the gallery sitters leave with the last ferry out, so make sure you check the closing times if you are visiting in the afternoon! I feel like I didn’t see enough of this island to get a good feel for it.

Setouchi Triennale 2016 - Teshima Crazy Lines Wefie
Getting vertigo? This is by German artist Tobias Rehberger called Was du liebst, bring dich auch zum weinen (Japanese Franchise version). Again, I know I keep talking about the FR100 camera but the one thing I really like about it is the super wide angle and detachable lens that takes shots my phone can’t!

Teshima was perhaps my favourite island of all, largely because of two works – the amazing Teshima Art Museum and Les Archives du Cœur. Also, I met two American girls randomly on the ferry heading over and we ended up spending the day exploring Teshima together which was really fun (Hi M and B!). Sometimes it’s nice having other people to share your thoughts about artwork with 🙂

Setouchi Triennale 2016 - Shodoshima Mito Boy Monster
One of the few artworks that encourages interaction – they even provide you a ladder to climb up! This is Boy and Monster by Toshimitsu Ito in the Mito Peninsular area, which is very quiet because it’s not the easiest place to get to

Shodoshima is technically named small bean island but there is nothing small about this place. It’s a must-drive – taking public bus around like i did was a bit challenging, I managed with a bus pass, some help from the triennale folks and even hitched a ride from a nice Japanese family one time! I probably saw the most works here, 2 days is not quite enough time if you want to see the island’s attractions as well.

Setouchi Triennale 2016 - Naoshima Red Pumpkin
Yayoi Kusama’s yellow pumpkin is more well known, but it isn’t actually a part of the Triennale. This red pumpkin at Miyanoura port that she did is though! I spent an hour or so around here chilling out here watching all the tourists go crazy taking pictures and getting some writing done. Managed to find a time without any tourists and took this with the FR100 remote

Naoshima is the famous art island, and I was glad I decided to spend 2 days here because my first day was a total washout – it rained and rained and was super gloomy. While i did get the Art House Projects done, just looking at my outdoor photos was depressing. Perfect weather the next day definitely made up for it, though I think ordinarily 1.5 days is more than enough for this island.

Setouchi Triennale 2016 - Takamatsu Beyond Borders
This work Beyond the Borders – the Ocean by Lin Shuen Long apparently was featured in the 2013 festival on Teshima instead, having floated across the sea from Taiwan! It’s supposed to look like a seed, and I blame the weather for it looking so dour here
Setouchi Triennale 2016 - Uno Chino
This is at Uno port and was managed by some enthusiastic students who took my picture for me but it gives you a sense of the scale. Chinu – the black sea bream of Uno was created by by Yodogawa-technique for the 2013 festival as well and touched up for this year, and if you look closely, you can see it’s made up of recycled objects

I started my journey from Takamatsu, though i didn’t actually explore it much in my time there! Same for Uno where i ended my journey, mostly wandering around the port area before catching my train… I apparently witnessed the launch of the new direct train service from Okayama to Uno. It was super festive!

All in all, i really enjoyed the island hopping and art hunting. If you have some time in Japan or want to experience an arts festival with a difference, definitely consider checking out the Setouchi Triennale. There’s still the summer and Autumn seasons to partake in, or for some islands the art is there year-round so you can go any time you want.


How to get Tickets

Thanks to JapanTravel – I covered the festival as accredited media so that saved me some cash, but if you are keen to get tickets, they really aren’t all that expensive: A Setouchi Triennale 2016 passport costs 5,000 JPY – you can buy your tickets on site or online at Rakuten. It comes with a free festival map (200 JPY on site) that is printed with a wealth of useful information like ferry timings and rough locations of works that you can find online, but it’s easier to plan when you have it at your fingertips. For future reference, they had early bird tickets available at 4,000 JPY from Oct 2015 to mid March 2016, so you can save a little if you plan early.

If you are only intending to see a few works, then per entry might be more worthwhile. It is usually 300 JPY per work (so getting the passport is worthwhile if you see at least 17 works, which works out to visiting around 2 islands on average?). Note that for some works, you may still need to top up extra even with the Setouchi Triennale Passport – there’s lots of detailed info here. For works that require entrance, the passport entitles you to one entrance regardless of whether you attend in spring, summer or autumn. I have lots of friends who visited in spring and are planning to visit the other islands in summer or autumn.


Getting There

You can consider a 3-day ferry pass to see if it is worthwhile for you. It didn’t work out for my timing/planning as it doesn’t cover all the ferry services available – it’s more useful if you are based in Takamatsu or Uno and travelling to each island from the port as day trips, but it also saves you the hassle of queuing for tickets as you can’t make prior ferry bookings – you can only buy the ferry ticket on the day of your travel, usually half an hour before the ferry’s departure, so make sure you go a little earlier to get that out of the way.

My ferry schedule/costs for reference (price for 1-way ticket, so make sure you factor for 2-way if you are headed back):

  • Takamatsu > Ogijima: 510 JPY
  • Ogijima > Megijima: 170 JPY
  • Megijima > Takamatsu: 340 JPY
  • Takamatsu > Teshima (Karato): 1,330 JPY (not eligible for ferry pass)
  • Teshima (Ieura) > Takamatsu: 1,330 JPY (not eligible for ferry pass)
  • Takamatsu > Shodoshima (Tonosho): 1,170 JPY (high speed)
  • Shodoshima (Tonosho) > Naoshima (Miyanoura): 1,200 JPY (only available during Triennale, not eligible for ferry pass)
  • Naoshima (Miyanoura) > Uno: 290 JPY


Where to stay

If you have the time, staying on the islands is a nice option. You can also stay in the port towns as a base depending on where you are going. Takamatsu is the main festival base and serves all the islands, but the closest ones here are Ogijima and Megijima. It is also served by Takamatsu airport, and a limousine bus connects you from airport to the port Takamatsu Chikko.

Takamatsu - Guesthouse Wakabaya
They have a bathtub in this place where you can have private onsen!

I stayed at Guest House Wakabaya in Takamatsu. It’s 4 stops away from Takamatsu Chikko (the tram station for the port where you take the ferries) which costs 190 JPY per ride so factor that travel time and cost in. The guesthouse is in a more residential sort of area so not very much happening nearby in terms of food and activity, but it is nice and quiet. Pretty good facilities – the house was renovated in 2014, lots of wood and the conditions and atmosphere are good. A friendly couple run the guesthouse and are happy to give suggestions or help if you need any. My 8-bed mixed dorm room cost 3,000 JPY per night via

Uno port is closer to Naoshima and Teshima – just 10mins to Naoshima by ferry and there are many Uno-Naoshima ferries, and you can connect from Naoshima to Teshima as well.

Shodoshima - Olive Youth Hostel
I lucked out in that I was given a 3-bed room and I had the room to myself for one night! The hostel sits facing the coastline, and there’s a very small beach just across the road near the bus stop

On Shodoshima I stayed at Olive Youth Hostel – it’s closest to Kurakare Port which has a direct ferry from Takamatsu – take a bus a few stops to Olive Youth Hostel Mae which is along the coastline. The nice thing is there are more buses that ply this route. Or you can take a ferry to Shodoshima’s other ports Tonosho, Ikeda or Sakate and then take a bus from there as well. It’s quite a big dorm – maybe I was there during a lull but it seemed pretty empty most of the time! You can get discounted tickets to the nearby onsen and bikes are free for use after 6pm. My dorm room cost 3,400 JPY per night and I made my booking via email.

Naoshima - Hostel Domi Kowloon
The Naoshima bathhouse I love Yu is 50m away from the hostel – the bathhouse doesn’t provide toiletries, so after I finished bathing, I threw on my clothes and ran back to the hostel to shower properly

My Naoshima hostel was Domi Kowloon right smack at Miyanoura Port – you can actually see the building right from the port! This is supposedly the cheapest accommodation on the island, space is pretty tight and I only saw the hostel staff once when I had to check in. If you are a bit paranoid about security, there are small lockers in the room, and the main entrance is a bit hidden, but everything else is based on trust. The one thing I hated was that while you weren’t allowed to smoke on the 2nd floor where the rooms are, they let you smoke in the first floor common area, so I hardly went in there! The location is what’s key though – you’re across the street from Miyanoura port so it’s extremely convenient when you land or leave as you can leave your bags in the hostel even when you check out. My room was 2.900 JPY per night and booked via email.


Getting There

From Singapore, flying into Osaka is actually nearer than flying into Tokyo. I spent a week in Tokyo and thanks to Jetstar, I caught a domestic flight from Tokyo to Takamatsu Airport. From the airport, I took the limousine bus (710 JPY) into the main Takamatsu city where I caught the city tram (called the Kotoden) from Kawaramachi to Hanazono which is closest to my guesthouse.

From Tokyo, several options I researched on how else to get to Takamatsu. Check out this list on Japan Guide for more details.

  • Fly: Jetstar connects Tokyo to Takamatsu and several other Japanese cities. Another option is the Japan Airline promo where internal flights are priced at 10,800 JPY for foreigners! My flight cost 8,410 JPY at time of booking. It’s about 1.5 hours flight time.
  • Train: if you are planning to get the JR pass, then it may make sense to take the Shinkansen which clocks in at about 18,000+ JPY to get from Tokyo to Takamatsu and takes around 5-6 hours. It’s about the same cost to take the train to Uno – use Hyperdia to figure out the costs/timings/transfers. There is an overnight train as well called the Sunrise Seto which has several price ranges – it can be covered with a JR pass if you are willing to ‘suffer’ a bit without a proper bunk, but can cost up to 9,500 – 17,000 JPY additional if you want a proper bunk.
  • Bus: there are overnight buses from Tokyo to Takamatsu for 9,000 – 11,000+ JPY which take about 12 hours – you leave at 850pm and arrive in the morning around 8am+

Look out for more detailed breakdowns of each island coming soon, where i talk in detail about the artwork i managed to see and how i recommend you get around! If you have any questions drop them in the comments, I’ll try and help as best as I can, but first do check out the Setouchi Triennale website because they have a wealth of information there!

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